{"id":33,"date":"2025-12-16T19:54:46","date_gmt":"2025-12-16T19:54:46","guid":{"rendered":"https:\/\/schlippe-soundart.com\/?page_id=33"},"modified":"2026-01-06T14:21:20","modified_gmt":"2026-01-06T14:21:20","slug":"silverstorm","status":"publish","type":"page","link":"https:\/\/schlippe-soundart.com\/","title":{"rendered":"Home"},"content":{"rendered":"
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Portfolio<\/h2>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Classical Music Production<\/h4>\n <\/div>\n <\/div>\n
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Classical music production is about finding the right balance between musical understanding and technical craft, in service of the performance, the space, and the score. I focus on shaping that balance with experience and\n passion.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Live Sound Reinforcement<\/h4>\n <\/div>\n <\/div>\n
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Live sound reinforcement is more than amplification. At the mixing position, one is in the unique position to be part of the performance as well as part of the audience. With both technical and musical expertise it is the\n goal to bring the two together, to synchronise the breathing.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Light and Stage Design<\/h4>\n <\/div>\n <\/div>\n
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The continuation of the musical score in the realm of space and light. Sometimes an amplification of the same, sometimes a counterpoint. Intimate versus lager than life. Warm versus cold. Pleasant versus edgy.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Production and Arrangement<\/h4>\n <\/div>\n <\/div>\n
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The chorus needs a string section? The bridge is too short? Or do you have a carcass of a new song that you want to unleash with the sound of the whole instrumentation and a choir? Whatever the song screams for…<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Sound Design and Installation<\/h4>\n <\/div>\n <\/div>\n
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Soundscape for a performance: dead silence, deafening thunder, eery tension, cathartic release. Whatever helps tell the story.<\/p>\n

Soundscape as a performance: Sometimes i stumble upon a sound so exiting that i feel it tells its own story. All it needs is a space to be told in.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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About<\/h5>\n <\/div>\n <\/div>\n
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Matth\u00e4us von Schlippe<\/h2>\n <\/div>\n <\/div>\n
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born in the US to a Russian immigrant family and raised in Germany<\/p>\n

studied Sound Engineering (piano) at University of Arts in Berlin 2008-2014 and preclinical Medicine at Vilnius University<\/p>\n

started working full time as a freelance sound engineer in 2018 with my portfolio expanding to light and stage design.<\/p>\n

from 2021 resumption of theatre and installation sound design.<\/p>\n

starting 2025 course in ensemble conducting and opening of recording and rehearsal studio<\/p>\n

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Projects<\/h2>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Queenz of Piano<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
[…]<\/div><\/div><\/div>
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Tchaikovsky in Moscow | Julian Rachlin & Denis Matsuev<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
[…]<\/div><\/div><\/div>
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Sara Ferrandez – En La Intimidad<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
[…]<\/div><\/div><\/div>
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Boxhead and Abaco Orchester – Concerto for Group and Orchestra<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
https:\/\/boxhead.de\/concerto […]<\/div><\/div><\/div>
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RPO and Anne-Sophie Mutter play John Williams<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
https:\/\/www.facebook.com\/watch\/?v=4288161431411927 […]<\/div><\/div><\/div>
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Tollwood – ‘Aus der Balance’<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
by Vroni Angloher, Adam Stubley, Matt von Schlippe […]<\/div><\/div><\/div>
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1984<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
at Berliner Ensemble. Directed by Luk Perceval. https:\/\/www.berliner-ensemble.de\/inszenierung\/1984 […]<\/div><\/div><\/div>
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SVM3 – Letters to my Little Girl<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Jan 6<\/a><\/div><\/div>
[…]<\/div><\/div><\/div>
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Young Euro Classic 2025 Highlights<\/h4><\/a><\/div><\/div>
by<\/span> admin<\/a> <\/span><\/div>
on<\/span> Dec 16<\/a><\/div><\/div>
from the Konzerthaus am Gendarmenmarkt in Berlin. https:\/\/www.euroarts.com\/tv-license\/4891-young-euro-classic-2025-highlights […]<\/div><\/div><\/div>
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Clients\/Artists<\/h2>\n <\/div>\n <\/div>\n
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EuroArts – sounding images – Konzerthaus Berlin – Tollwood – MMT Network – Berliner Ensemble – Bergson Kunstkraftwerk – Jazzclub Unterfahrt – HIDALGO – Young Euro Classic – PLAZA Media – B\u00e4rwinkel&Strasser\n
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Konzerthaus Orchester – DSO – M\u00fcnchener Kammerorchester – Russian Youth Symphony Orchestra\n
Duisburger Philharmoniker – BSO – ABACO Orchester – ODEON Orchester – Akademisches Sinfonieorchester\n
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Svetlana Marinchenko – Sara Ferrandez – Fatma Said – Diego Tortelli – Fredrik Rydman – Ina St\u00f6rzenbach\n
Julian Rachlin – Luc Perceval – Ersan Mondtag – Claudia Bauer – Christoph Eschenbach – Joana Mallwitz\n
Boxhead – Queenz of Piano – Delta Q – Max Andrzejewski – Jazzrausch Bigband – Atrin Madani<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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